Films

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Bite-Size Plays: Small steps to the Fringe
Theatre director Nick Brice started up an innovative short play series at the Fringe.
Making it on the fringe of the Fringe
Setting up an unofficial fringe programme in Edinburgh.
Education in the arts: Three experiences
What it takes to work in education in a museum, a stately home and a theatre.
Arts organisations: Find your audience
Andrew Missingham offers a look at a problem facing publicly-funded arts organisations.
What creative leaders and aspiring leaders need to know
A creative consultant on the similarities between cultural and corporate leadership.
Working together to improve local arts
How the Plymouth Visual Arts Consortium is developing the arts sector in the southwest.
What the craft sector needs from leaders
Deirdre Figueiredo of the Crafts Leadership Network discusses the most pressing issues in craft today.
From maker to manager
Why running a craft fair can be more fulfilling than making, and advice for new makers.
Becoming a creative social entrepreneur
How the Devon School for Social Entrepreneurs is helping creative businesses.
All fired up: A career in ceramics
Potter Nic Harrison discusses old and new challenges in his craft.
A career in carnival
Carnival artists and teachers on learning varied skills
My music business mentor
Two performing artists talk about their mentoring relationship.
Developing Leicester's performing arts leaders
How one city is helping emerging cultural leaders.
Queen Bee: Organising the Pestival arts festival
Getting a large-scale science arts festival off the ground.
Doodling in a digital world
How artists and designers can embrace new technology.
Music, heritage and cultural social responsibility
How mixing archive films and composing new music brings communities together.
Contemporary ideas, traditional paintings
Modern miniature painters discuss their struggle for acceptance in the art world.
Challenges in cultural leadership
The director of the National Portrait Gallery reveals current issues in leadership.
Sustainable, local design
Turning waste from one creative business into another.
Bringing life to the dark: Audio description
Theatre audio description is 'a cross between poetry and live broadcast'.
Stringing along a career: Guitar technician
"Deptford John" Armitage enjoys a lucrative guitar tech career.
Under the sea and backstage with "Kursk"
People discuss their unusual paths into a theatre career.
Starting a design business
Damian Cranney describes how he started up Belfast consultancy Frank Design on his own.
Smart technology: The new crafts
Students from Goldsmiths' MFA programme in Computational Studio Arts describe their work in this new field of study.
Production Manager, National Theatre
Katrina Gilroy describes how and why the role of production manager has changed.

Bite-Size Plays: Small steps to the Fringe

Theatre director Nick Brice started up an innovative short play series at the Fringe.

Transcript

Nick Brice: "In a Bite-Size Breakfast Show, people get five 10-minute plays with a croissant and a strawberry, served up on their lap with fresh Columbian coffee, and they see five ideas, stories, all told within 10 minutes, all within an hour. So it's an eclectic, exciting, engaging mix of shows, but it's also giving young writers from all sorts of places the opportunity to have their play performed at the daddy of all festivals up here in Edinburgh.

"White Room Theatre exists to help new writing get a decent audience. So we have a whole range of different initiatives. We do research, we have partnerships around the world, we hold our own international short playwriting competition, and basically through getting audience feedback and the use of professional judges, we assemble every year the best examples of 10-minute plays that we can find from all around the world.

"I started because I wrote a play and I couldn't put it on and I actually decided to put it on myself. So I found some actors who were foolish enough to take a risk with performing my play, I hired a church hall and I created a brochure, entered it into the Brighton Festival, and on the third performance we sold out. I did it again the following year, then I started writing short plays and pieces for radio and film and theatre. I entered a 10-minute play competition over in Australia, got in one of the finals, got to know some of the people out there and started to get sent the best examples of 10-minute plays from there, and then went into America and got a whole bunch of stuff from there, and then we did our own playwriting competition, we had over 400 writers enter.

"A lot of people say they're thinking about writing something or they've wanted to write a play or they want to go on a creative writing course. That's all well and good, but my experience is, get a computer, a blank screen, sit in front of it and start writing."

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